Gun crazy 1949 torrent

Software Images icon An illustration of two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. Gun Crazy Director: Joseph H. It appears your browser does not have it turned on. Please see your browser settings for this feature. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! Publication date Topics Joseph H. More like this. Watch options. Storyline Edit.

Anita is a high-school girl who frequently allows random boys and men to have sex with her, and is frequently raped by her absentee mother's boyfriend. As part of a school assignment Anita takes up correspondence with a lonely young prison inmate, whose letters stir up dormant desires for violence and guns. After buying herself a firearm, Anita convinces her mother's boyfriend to teach her how to use it, and, after he rapes her again, shoots him to death and hides the body.

She then sets about getting her new "boyfriend" out of jail and to her, where she slowly drags him with her on her downward spiral of sex, violence, and murder for the sake of murder. Love made them crazy. Guns made them outlaws. Crime Drama Romance Thriller. Rated R for strong violence and sensuality, and for language. Did you know Edit. Trivia It was filmed in 23 days. Goofs While they are both camping inside the house they broke into, they go into a the kitchen and raid the fridge, pulling out a 15 pound uncooked turkey.

Moments later they are having a turkey dinner over candlelight. A 15 pound turkey would take anywhere from 12 to 18 hours to cook, depending on temperature, thereby the turkey dinner they were eating would have to be have been either prepared ahead of time or they would be eating it at a later date.

Quotes Howard : I'm trying to walk the walk here. User reviews 24 Review. Top review. Pen pal from Chino.

We thought this film was a remake of the much better film noir of the same title, or as it's known in this forum, "Deadly is the Female", a Joseph Lewis' film with a screen play by MacKinlay Kantor.

But no, this is another film altogether using the same title as the other one. As directed by Tamra Davis, with the screen treatment by Matthew Bright, this is a film that tries to deliver, but in the end, it's predictable, as we know the mistakes of the couple at the center of the story would work against them. Anita Minteer seems to be a loner. We watch her in school, where she is not a popular girl in any shape, or form. Some of the pot heads from her school take her for a ride in which two end up having sex with her.

Anita has been left to fend for herself by her absent mother, who has gone to Fresno to make some money and ultimately have Anita come live with her. Anita is being sexually abused by her mother's good for nothing boyfriend. The girl loves to learn how to use guns, and Rooney, who wants to keeps her, complies.

A sad mistake! Her love for guns will ultimately be her downfall and that of the only person that really loved her.

Lewis was enamored of the faces of both of his stars and pulled us unusually close to them, so that we may feel attached to them, rather than distain for them.

Jean-Luc Godard and Francois Truffaut were two of the Cahiers du cinema critics who were astounded by the film when it first appeared, and Lewis became a darling of the Nouvelle Vogue.

So enjoy! Hogan Introduction by Caren Feldman. Joseph H. Gun Crazy is regarded as the best film Lewis made. The integration of character and action, and the operation of amour fou in the film are the clearest realizations of these elements which underlie other Lewis films.

Lewis achieved sequences in Gun Crazy that were unprecedented in American film. His famous single-take bank robbery reconciled budget problems and dramatic impact with imaginative flair. The location shooting gives the film a feel totally out of keeping with its period, and much of the staging and framing antedates the Jean-Luc Godard of Vivre Sa Vie , and Bande A Part The robbery of the Armour Meat Packing Plant, covering no less than six locations, is organized with exemplary narrative lucidity, enabling Lewis to let the whole operation go surprisingly awry and to have the audience recognise the slipups as immediately as the participants.

We experience the exhilaration and tension and rush of bravado as they do. Gun Crazy entices the audience into the dizziness of irresponsibility.